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The most intense of all of the series, the last movie Camille and JJ filmed before they began Red Feline on the Cross. (NTSC)</video:description>
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The most intense of all of the series, the last movie Camille and JJ filmed before they began Red Feline on the Cross.(PAL)</video:description>
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Includes:&amp;lt;br /&amp;gt;- Movie with English or German subtitles&amp;lt;br /&amp;gt;- New audio commentary in English with Jac Avila and Amy Hesketh&amp;lt;br /&amp;gt;- Bonus reel &amp;quot;Behind the Scenes&amp;quot; reel, with bloopers&amp;lt;br /&amp;gt;(NTSC)</video:description>
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      <video:description>&amp;lt;p&amp;gt;Barbazul loves women... he just can&amp;#39;t stop killing them!&amp;lt;/p&amp;gt;
Includes:&amp;lt;br /&amp;gt;-Movie with optional English and Hearing Impaired subtitles (original language English/Spanish)&amp;lt;br /&amp;gt;-Download the optional audio commentary with Amy Hesketh and Jac Avila (in English) at vermeerworks.com!&amp;lt;br /&amp;gt;(NTSC)</video:description>
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      <video:description>&amp;lt;strong&amp;gt;Belonging to an incestuous family of vampires has its disadvantages.&amp;lt;/strong&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;This download contains:&amp;lt;br /&amp;gt;&amp;amp;bull;Movie with optional English, German, Portuguese, French, Spanish, and English hearing impaired subtitles (original language English &amp;amp;amp; Spanish) 16:9 widescreen&amp;lt;br /&amp;gt;&amp;amp;bull;Bonus behind-the-scenes documentary &amp;amp;ldquo;A Donkey&amp;amp;rsquo;s Tale&amp;amp;rdquo;&amp;lt;br /&amp;gt;&amp;amp;bull;Exclusive entries from Amy Hesketh&amp;#39;s video diary while shooting the film</video:description>
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&amp;lt;p class=&amp;quot;p1&amp;quot;&amp;gt;Out of the &amp;lt;strong&amp;gt;Red Feline Pictures Archives&amp;lt;/strong&amp;gt; comes a little treasure from the analogue tape days, circa 1998.&amp;lt;span class=&amp;quot;Apple-converted-space&amp;quot;&amp;gt;&amp;amp;nbsp; &amp;lt;/span&amp;gt;During the summer of that year, Camille, Gabrielle and Jan Jac were in New York, preparing the set for the &amp;lt;strong&amp;gt;Red Feline Faces The Inquisition Series&amp;lt;/strong&amp;gt;. It was going to be the fiirst time Gabrielle was in front of the camera, at the same time, Jac was testing the camera and both, Camille and Gabrielle, began rehearsing their roles for the movie to come. All three of them were also busy building and testing the props, like the rack, decorating the set, setting up the lights.&amp;lt;span class=&amp;quot;Apple-converted-space&amp;quot;&amp;gt;&amp;amp;nbsp; &amp;lt;/span&amp;gt;It took a few days to shoot and as they went on, everything began to improve, the lighting, the set, even the camera work, not Jan Jac&amp;#39;s work with the camera, but the working of the camera itself that had some problems at the beginning. Camille and Gabrielle were also sharpening their acting skills, specially Gabrielle, who was getting ready for the big test, suffering under the Inquisition.&amp;lt;/p&amp;gt;
&amp;lt;p class=&amp;quot;p1&amp;quot;&amp;gt;When they sat to analyze the work, to discuss the performances and so on, Jan Jac realized that he had a strange movie in his hands, one that one day, much much later, he would want to release. 22 years later, the &amp;lt;strong&amp;gt;Inquisition Rehearsals&amp;lt;/strong&amp;gt; video is here!&amp;lt;/p&amp;gt;</video:description>
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&amp;lt;p&amp;gt;Another young woman, in search of a place to live, responds to the &amp;lt;strong&amp;gt;Room For Rent&amp;lt;/strong&amp;gt; add not knowing that the room that awaits for her will be her last.&amp;lt;/p&amp;gt;
&amp;lt;!-- /wp:paragraph --&amp;gt; &amp;lt;!-- wp:paragraph --&amp;gt;
&amp;lt;p&amp;gt;The place is charming, the plants, the cat, the sun, the quiet, all to her liking. The landlord points in the direction of the room and as she walks to see what he has to offer, the man lets a syringe slide down his shirt sleeve. As soon as the young woman steps into the room he sticks the needle into her neck rendering her unconscious.&amp;lt;/p&amp;gt;
&amp;lt;!-- /wp:paragraph --&amp;gt; &amp;lt;!-- wp:paragraph --&amp;gt;
&amp;lt;p&amp;gt;As he strips her from all her clothing, she begins to recover some consciousness, enough for her to know that she is now in the hands of a depraved man and the room shows the extent of his depravity.&amp;lt;/p&amp;gt;
&amp;lt;!-- /wp:paragraph --&amp;gt;</video:description>
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&amp;lt;p&amp;gt;Another young woman, in search of a place to live, responds to the &amp;lt;strong&amp;gt;Room For Rent&amp;lt;/strong&amp;gt; add not knowing that the room that awaits for her will be her last.&amp;lt;br /&amp;gt;&amp;lt;span style=&amp;quot;font-family: -apple-system, BlinkMacSystemFont, &amp;#39;Segoe UI&amp;#39;, Roboto, Oxygen, Ubuntu, Cantarell, &amp;#39;Open Sans&amp;#39;, &amp;#39;Helvetica Neue&amp;#39;, sans-serif;&amp;quot;&amp;gt;The place is charming, the plants, the cat, the sun, the quiet, all to her liking. The landlord points in the direction of the room and as she walks to see what he has to offer, the man lets a syringe slide down his shirt sleeve. As soon as the young woman steps into the room he sticks the needle into her neck rendering her unconscious.&amp;lt;br /&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family: -apple-system, BlinkMacSystemFont, &amp;#39;Segoe UI&amp;#39;, Roboto, Oxygen, Ubuntu, Cantarell, &amp;#39;Open Sans&amp;#39;, &amp;#39;Helvetica Neue&amp;#39;, sans-serif;&amp;quot;&amp;gt;As he strips her from all her clothing, she begins to recover some consciousness, enough for her to know that she is now in the hands of a depraved man and the room shows the extent of his depravity.&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt;
&amp;lt;!-- /wp:paragraph --&amp;gt;</video:description>
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      <video:description>Before the production of the film Maleficarum Monxa Mala, the protagonists were tested on different difficult situations. In this release Dani suffers the rack during a rehearsal for the up and coming production.</video:description>
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      <video:description>Dani prepares her role for Monxa Mala. One sequence in the film calls for Dani to be set up naked on &amp;lt;strong&amp;gt;The Wheel&amp;lt;/strong&amp;gt; to be whipped without Mercy. Bea, who was going to be in &amp;lt;strong&amp;gt;Monxa Mala &amp;lt;/strong&amp;gt;as well, does the whipping in this very elaborate rehearsal.</video:description>
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      <video:title>Pygmalion (NTSC)</video:title>
      <video:description>Hendrix, a film director characterized by egotism and confusion, attempts to cope with the end of his relationship by embarking on an ambitious experiment. He encounters Vera, a young violinist performing at a cable car station, and decides to transform her into the &amp;#39;perfect woman&amp;#39; for his upcoming film. The goal is to prepare Vera for the role of Elisa Doolittle&amp;amp;mdash;a character who is vulgar, poor, tactless, and uneducated&amp;amp;mdash;in his personal and erotic adaptation of the classic play PYGMALION.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Heather, Hendrix&amp;#39;s ex-partner and loyal collaborator, challenges him by wagering that he will not succeed in this endeavor.&amp;lt;br /&amp;gt;&amp;amp;nbsp;&amp;lt;br /&amp;gt;Under the direction of Amy Hesketh, renowned for her controversial works &amp;quot;Sirwi&amp;amp;ntilde;akuy,&amp;quot; &amp;quot;Barbazul,&amp;quot; and &amp;quot;Olalla,&amp;quot; the film evolves into a layered narrative. It becomes a movie within a movie, and then another, blending elements of play staging, subtle docudrama, and intimate catharsis. This approach marks a departure from postmodern conventions, shifting into what Hesketh herself identifies as &amp;quot;meta modernism,&amp;quot; a style notable for its self-referential nature.</video:description>
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    <loc>https://movies.redfeline.com/us/pygmalion-pal/p/207037</loc>
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    <priority>0.5</priority>
    <video:video>
      <video:title>Pygmalion (PAL)</video:title>
      <video:description>Hendrix, a film director characterized by egotism and confusion, attempts to cope with the end of his relationship by embarking on an ambitious experiment. He encounters Vera, a young violinist performing at a cable car station, and decides to transform her into the &amp;#39;perfect woman&amp;#39; for his upcoming film. The goal is to prepare Vera for the role of Elisa Doolittle&amp;amp;mdash;a character who is vulgar, poor, tactless, and uneducated&amp;amp;mdash;in his personal and erotic adaptation of the classic play PYGMALION.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Heather, Hendrix&amp;#39;s ex-partner and loyal collaborator, challenges him by wagering that he will not succeed in this endeavor.&amp;lt;br /&amp;gt;&amp;amp;nbsp;&amp;lt;br /&amp;gt;Under the direction of Amy Hesketh, renowned for her controversial works &amp;quot;Sirwi&amp;amp;ntilde;akuy,&amp;quot; &amp;quot;Barbazul,&amp;quot; and &amp;quot;Olalla,&amp;quot; the film evolves into a layered narrative. It becomes a movie within a movie, and then another, blending elements of play staging, subtle docudrama, and intimate catharsis. This approach marks a departure from postmodern conventions, shifting into what Hesketh herself identifies as &amp;quot;meta modernism,&amp;quot; a style notable for its self-referential nature.</video:description>
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      <video:family_friendly>no</video:family_friendly>
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    <loc>https://movies.redfeline.com/us/bea-suffers-the-post-of-woes-for-monxa-mala/p/207684</loc>
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    <video:video>
      <video:title>Bea Suffers The Post Of Woes for Monxa Mala</video:title>
      <video:description>An inside look at the preparations for the film &amp;lt;strong&amp;gt;Maleficarum Monxa Mala&amp;lt;/strong&amp;gt;.&amp;lt;br /&amp;gt;
&amp;lt;p&amp;gt;Bea is chained by her neck to the Post Of Woes, her wrists shackled above her head, her feet dangling over the floor. In that painful position she is subjected to a sequence of tortures administered by Dani. This reheasal emphasizes the intensity and dramatic tension central to the project, highlighting Bea&amp;#39;s role and the dynamic interaction between the principal cast members.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;During the development of &amp;lt;strong&amp;gt;Maleficarum Monxa Mala&amp;lt;/strong&amp;gt;, the protagonists participated in a series of rehearsals and tests. The structured rehearsal process allowed the actors to refine their performances and contributed to the overall quality and cohesion of the project.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;Bea was initially selected to play the leading role in Monxa Mala, reflecting her well-established reputation from her performances in The Passion of Isabel and Justine. Her involvement was anticipated to bring significant depth and experience to the production. However, due to personal reasons, Bea was unable to commit fully to the project and therefore withdrew from the role.&amp;amp;nbsp;&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;Although Bea eventually departed from the production, her contributions remain preserved through the rehearsal videos. These recordings, presented in their raw and uncut form, capture the authenticity and beauty of the rehearsal process. They serve as a testament to the dedication and artistry involved in shaping the project, offering valuable insight into the development of the performances.&amp;lt;/p&amp;gt;</video:description>
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