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Includes:&amp;lt;br&amp;gt;
-Movie with English and Hearing Impaired subtitles (original language English/Spanish)&amp;lt;br&amp;gt;
-Audio commentary with director Jac Avila, and producer/actress Amy Hesketh&amp;lt;br&amp;gt;
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      <video:description>Hendrix, a film director characterized by egotism and confusion, attempts to cope with the end of his relationship by embarking on an ambitious experiment. He encounters Vera, a young violinist performing at a cable car station, and decides to transform her into the &amp;#39;perfect woman&amp;#39; for his upcoming film. The goal is to prepare Vera for the role of Elisa Doolittle&amp;amp;mdash;a character who is vulgar, poor, tactless, and uneducated&amp;amp;mdash;in his personal and erotic adaptation of the classic play PYGMALION.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Heather, Hendrix&amp;#39;s ex-partner and loyal collaborator, challenges him by wagering that he will not succeed in this endeavor.&amp;lt;br /&amp;gt;&amp;amp;nbsp;&amp;lt;br /&amp;gt;Under the direction of Amy Hesketh, renowned for her controversial works &amp;quot;Sirwi&amp;amp;ntilde;akuy,&amp;quot; &amp;quot;Barbazul,&amp;quot; and &amp;quot;Olalla,&amp;quot; the film evolves into a layered narrative. It becomes a movie within a movie, and then another, blending elements of play staging, subtle docudrama, and intimate catharsis. This approach marks a departure from postmodern conventions, shifting into what Hesketh herself identifies as &amp;quot;meta modernism,&amp;quot; a style notable for its self-referential nature.</video:description>
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      <video:live>no</video:live>
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  </url>
</urlset>